Syllabus - Indian Writing in Translation (Manonmaniam Sundaranar University)

THIRD YEAR - SEMESTER V 

CORE XI – INDIAN WRITING IN TRANSLATION

UNIT I 

  • Excerpts from Mahabharata – Tr.& Ed. Van Buitenen (106 – 169) 
  • Ilango Adigal - The Book of Vanci. – Silappathikaaram Book 3 Tr. R. Parthasarathy 
  • Thirukkural – Tr. G U Pope
    • Virtue (araththupaal) 34, 45, 69, 72, 76, 90, 100, 110, 129, 131, 151, 231, 260, 291, 314 
    • Wealth (porutpaal) – 391, 400, 411, 423, 450, 475, 595, 616, 647, 714, 786, 788, 948, 972, 997 

UNIT II

  •  Sarojini Naidu - The Soul’s Prayer. 
  • Nissim Ezeikel - The Railway Clerk. 
  • A.K.Ramanujam - The Striders 
  • Arun Kolatkar - An Old Woman 
  • Kurunthogai (Five verses each for one Tinai) – Sangam Literature – A.K Ramanujam 
    • kurinji tinai – 2, 3, 18, 23, 40. 
    • mullai tinai – 21, 98, 167, 186, 188. 
    • marutha tinai – 8, 19, 33, 157, 196. 
    • neithal tinai – 49, 57, 92, 97, 102. 
    • palai tinai – 16, 20, 27, 37, 135 

UNIT III 

  • Theory of Value A Collection of Readings-(33-40) from GARLAND 
  • Chapter 6-Bharata Natya Shastra (100-118) Tr. Manmohan Ghosh Vol. 1 
  • Hindu View of Life – Sarvepalli Radhakrishnan 
  • Vanishing Landmarks – Nirad C. Chaudri 

UNIT IV  

  • Badal Sircar - Evam Indrajit 
  • Girish Karnad – Tughlaq 

UNIT V  

Joseph Jacob – Indian Fairy Tales “How the Raja’s Son won the Princess Labam by.” 

from R.K. Narayan - Swami & His Friends - Monday Morning, M.C.C., Before the Examinations,

Location: Kanniyakumari, Tamil Nadu, India

Comments

Post a Comment

Popular posts from this blog

Vanishing Landmarks - Nirad C. Choudhary

ABOUT THE AUTHOR Nirad C. Chaudhuri (1897–1999) was a famous Indian writer and scholar. He was born on 23 November 1897 in Kishoreganj, in Bengal (now in Bangladesh). His father was a lawyer and a lover of Bengali literature, and his mother was deeply religious. This mix of Indian tradition and modern education shaped his early life. Chaudhuri studied History at the University of Calcutta and worked as a clerk, journalist, and broadcaster before becoming a full-time writer. He was deeply interested in Western culture, especially English literature, music, and history. His most famous book, The Autobiography of an Unknown Indian (1951), made him well known but also very controversial because he praised British rule and criticized Indian nationalism. He later wrote other books such as A Passage to England (1959) and The Continent of Circe (1965), which continued to explore India’s culture and identity. Chaudhuri moved to England in 1970 and lived in Oxford until his death in 1999 at the...
Read more

Natyasastram - Chapter Six - Sentiments

Chapter Six - Sentiments        Chapter Six of Bharata Muni’s Natyasastra presents the foundational Rasa theory, which forms the core of Indian aesthetic thought. The Rasa Sutra (Chapter 6: Sentiments) provides a systematic explanation of how aesthetic experience arises in art and performance. In Indian aesthetics, Rasa signifies the bridge between emotion and transcendence, transforming the performer’s expression and the spectator’s response into a unified experience of delight. According to Bharata, “No meaning can be conveyed without Rasa , and no Rasa can be created without Bhava .” Thus, Rasa is regarded as the soul of Natya (dramatic art) and the ultimate purpose ( Prayojana ) of all artistic creation.     Here. Bharata Muni offers a detailed exposition of Rasa (sentiments) and Bhava (psychological states). The chapter begins with the sages posing questions to Bharata about the nature of Rasa and Bhava , as well as the true...
Read more

Dharma and Moksha - Daniel H. H. Ingalls

ABOUT THE AUTHOR Daniel H. H. Ingalls (1916–1999) was one of the most respected scholars of Sanskrit and Indian philosophy of the twentieth century. Born in New York and educated at Harvard, he spent his life studying, teaching, and translating the rich traditions of Indian thought and poetry. Ingalls combined deep learning with a love for clarity and beauty in language. Over his long career, he wrote several important books, including Materials for the Study of Navya-Nyaya Logic (1951), An Anthology of Sanskrit Court Poetry (1964), and The Dhvanyaloka of Anandavardhana with the Locana of Abhinavagupta (1990). Through his teaching at Harvard, he trained many students who went on to shape the field of Sanskrit studies around the world. In his essay “Dharma and Mokṣa,” Ingalls brings together his deep knowledge of Indian philosophy and his interest in Western thought. He explores the Indian ideas of dharma (moral duty) and mokṣa (spiritual liberation), two key ideas in Indian thoug...
Read more